The Process Church of The Final Judgment
The Process/The Process Church of the Final Judgment was a religious group that flourished in the 1960s and 1970s, founded by the English couple Mary Anne and Robert DeGrimston (originally Robert Moor and Mary Anne MacLean). Originally headquartered in London it had developed as a splinter client cult group from Scientology, and were declared "suppressive persons" by L. Ron Hubbard in December 1965.
They were often viewed as Satanic on the grounds that they worshipped both Christ and Satan. Their belief is that Satan will become reconciled to Christ, and they will come together at the end of the world to judge humanity, Christ to judge and Satan to execute judgment.
In April, 1974 Robert DeGrimston was removed by the Council of Masters as Teacher. DeGrimston and his gods were ousted, his name and work stricken from the Process records. Mary Ann, sticking close to Jehovah, carried on, renaming the cult the Foundation Church.
DeGrimston attempted to restart the Process Church several times, but he could never replace his original following.
A good overvieew of their history is located here .
In 1966 the members of the group underwent a social implosion and moved to Xtul on Mexico’s Yucatan peninsula, where they developed "processean" theology.
At Xtul was the first ‘channeling’ of God. After Xtul, Jehovah was the only recognised God. Later, with Jehovah, Lucifer and Satan were recognised as "The Three Great Gods of the Universe" and Christ as the Emissary to the Gods. The Three Great Gods represent three basic human patterns of reality:
- Jehovah, the wrathful God of vengeance and retribution, demands discipline, courage and ruthlessness, and a single-minded dedication to duty, purity and self-denial.
- Lucifer, the Light Bearer, urges us to enjoy life to the full, to value success in human terms, to be gentle and kind and loving, and to live in peace and harmony with one another. Man’s apparent inability to value success without descending into greed, jealousy and an exaggerated sense of his own importance, has brought the God Lucifer into disrepute. He has become mistakenly identified with Satan.
- Satan, the receiver of transcendent souls and corrupted bodies, instills in us two directly opposite qualities; at one end an urge to rise above all human and physical needs and appetites, to become all soul and no body, all spirit and no mind, and at the other end a desire to sink beneath all human codes of behavior, and to wallow in a morass of violence, lunacy and excessive physical indulgence. But it is the lower end of Satan‘s nature that men fear, which is why Satan, by whatever name, is seen as the Adversary.
In between these Three Great Gods and man, is an entire hierarchy of Gods, beings and superbeings, angels and archangels, demons and archdemons, elementals and guides, and fallen angels and watchers.
The Process believes that, to varying degrees, these "God-patterns" exist within all of us. The main doctrine of The Process is the unity of Christ and Satan, who exist as opposites. Jehovah and Lucifer exist as opposites and when Christ and Satan are united this will unite Jehovah and Lucifer.
In the original 1960s literature of the church, Christ, Lucifer, Satan, and Jehovah were all arranged on a mandala, with Christ at the top opposite Satan on the bottom and Jehovah on the left opposite Lucifer on the right.
(The descriptions of the Gods comes from a teaching called "The Hierarchy" published in December 1967, as a part of "The Tide of the End".)
Over 500 pages of Process literature (PDF). From www.gnosticliberationfront.com , a good source of documents and other information from/on the Process Church.
HAUSU!
Hausu/House. 1977, Japan. (IMDB page)
Hausu is a 1977 Japanese experimental/horror/comedy film directed by Nobuhiko Obayashi. To make an easy example/comparison; It’s Evil Dead 1 on acid meets The Happiness of the Katakuris, also on acid…
The film flips from cartoon-esque, to slapstick, to Raimi-esque horror, to soap-opera, schoolgirl drama, tripped out 60′s acid flick, tripped out 70′s acid flick…and around again, sometimes within one scene. And then everything flashes and theres weird psychedelic backgrounds and animated overlays… A lamp kills a girl.…cartoon sparks shoot out of stuff as a piano kills a girl….Skeletons dance and a girl called Kung Fu does Kung Fu on them (and any door or cupboard that doesnt open straight away) while a girl called Mac eats constantly (the smart one is named Prof. btw)
Every style and effect trick in cinema (as of 1977) seems to have been used in this film, and the consistent use and intermingling of these effects regularly not seen together (especially the animation, and the use of music and sound effects) just seems so uncommon and so damn cranked-up-to-10000, that it really is a mind fuck I can go on but this really has to be seen.
10/10 for WHAT THE FUCK!!!
And that damn fucking cat!!






